More to Come Soon

As I'm sure it has been for everyone this last week's been a real blur. The holidays wear me out. I've had your standard work-holidays and should be catching up on rest, but it seems like there's always so much to do: friend and family visiting, parties, the occasional road trip. I'm preaching to the choir. As a result I've only painted a few times in the last week or so. I'd say I've gotten a lot accomplished tho. I've been talking. Getting the word out. Trying to develop new relationships in my professional and personal life. Might have come through with a couple of new shows lines up. More importantly I came through with some new friendships and refreshed a few older ones.

That's what's been keeping the spring in my step. I think it's also what has produced this change in my subject matter. Spiral absorbs me when I'm in the room although at the moment she's got me a little turned around and I'm not sure where to go. I made some major changes last night. I ditched 2 or three arms and revamped her legs. I think they look strong now... perhaps too muscular. I'll have to look at it some more. I want to convey exuberance, reverance, delicacy, and strength. The limbs have to be perfect in their own pose in relation to the body but I don't want to get caught up in the details. I think that could take away the energy. That's part of the reason I did what I did with the limbs.

Frankly I need a large mirror... dammit i need a model. I don't do figurative work a lot and it would be handy to have an actual reference I could pose.

The job of Muse is also currently open...
Apply within.

Cheers,

R

Dancer Update

I did what I said I was going to. I stepped up to the canvas w/ the bare vestiges of a gameplan. I usually have a fair idea of how I'm going to get started on a night's work, but last night I spent a little time deliberating about which brush to start with and that was about it. It just started coming out. I did spend some time testing out the pose... the position of the arms. I probably looked pretty ridiculous, but that's what curtains are for. I found myself adding and subtracting limbs, adjusting the tilt of an arm, the position of a breast. I'm not going for accuracy here, but I do want the pose to make some sort of anitomical sense. If, that is, you can make sense of a woman with an undefined number of arms.
Around 1am I stepped back and realized she'd taken on a Lovecraftian look. She'd become beautiful and horrible. Graceful and unsettling. I want her to be exhuberant, triumphant, and a little disturbing. She's definitley getting that. I didn't realize it until I stepped out of the room and came back. Guess I needed to reset my perspective. I'm not sure where she's going to go from here. Who knows what we'll wind up with at the end. I'm kindof along for the ride here so it's anyone's guess.
Stay tuned for more.


Cheers,

R

The Dancer Begins

I mentioned in my last post that I'd done multi-armed female figures before. Here's my first. The piece is entitled, "The Dancer Begins". She was the product of another burst of quick inspiration one late night. I used to do tons of figurative work in graphite and charcoal. I really enjoy it, but in recent years I've let it slide in favor of my cityscapes and nocturnes. This work doesn't fit with my regular stuff so I've kindof put it off to the side. I've had shows and commissions and too many other things to think about I suppose. Maybe it's time to let these characters back out. I've often considered posting this stuff under a pseudonym just because it IS so different. Maybe that sounds pretentious, but I like the idea of this work being the property of an alter-ego even if that alter-ego is maybe more me than the other guy or at least a part of me that I file away for personal use only.



Cheers,

R

Spiral

I was up painting Friday night and wasn't having a lot of success. Earlier in the evening I'd put a 36"x48" canvas sup on my primary easel just to have something on it. I got a funny feeling right after I put it up. I was walking away from it and turned around for something and I got the oddest sensation that it (the canvas) was looking back. I even posted a note on Twitter commenting on my new, blank canvas "smiling" at me and how I knew it was going to be something different. I had no idea what tho.
I'd covered my palette with plastic wrap and had turned off the tunes. I was ready to hang it up for the night when, for no apparent reason, I snatched a dirty brush out of my turp can and started frantically... for lack of a better word, scribbling. I still really didn't have any idea what was going to come out. Kindof like Voodoo Chevalier(i think that's the name for it). Like it wasn't me and someone else was driving. I'm not really talking about spirit possession of course, but the sensation is odd to be sure. I think a lot of artists get this feeling.
So here she is. I'm calling her Spiral. It's a comic book reference to a six-armed woman that appears from time to time in the X-Men. Her character always made me think of Shiva as the Cosmic Dancer. Those images have always fascinated me. It's not the first time I've depicted a figure like this. I painted a six-armed feminine figure a few years back. A personal favorite of mine. This one's feeling different tho. I'm not sure where she's going to go from here. I'm not putting much into planning. I plan on doing some conscious tweaking, but for the most part I'm just going to step up to the canvas and let it come out. She could wind up with dozens of limbs... who knows? I'm looking forward to seeing where this one goes. Maybe moreso than anything else I've done recently. It's nice to take a new direction. It's been a long time since I've let myself explore so it's exciting. Maybe a change in direction will be good for me. Maybe this represents new things for me in other areas as well. Sometimes I think this facet of my work is my real self speaking up.
We'll see what he has to say.

Cheers,

R

Christmas Spirit?

Every year we're bombarded with stuff that's supposed to invoke the Christmas Spirit. Usually this irritates the hell out of me, but this year I can't say that I've really even noticed. Maybe it's because I don't watch a lot of TV. Maybe it's because of the current home situation I'm in. Christmas is a time for Family and mine's a bit of a mess right now. Not to mention, people... Jesus wasn't born in December. Pretty much any Bible scholar can tell you.
More than anything the rabid commercialization just gets me down. Kindof wears your faith in humanity a little thin.
On the other hand I've seen a lot of generosity going around in the face of tough times. If anything will restore my Christmas Spirit that's it. I've seen my own children express such giving that it lightens my heart. I can't wait to be with them when they come downstairs Christmas morning. The sheer excitement on their faces... their instant willingness to share their new discoveries with each other. Looking forward to that. It gives me some hope.
Maybe hope is the reason I'm working on a piece depicting two people walking down the street windowshopping together. It's not that I'm hoping to be like that right now. I'm not. I am putting it out there as an image of things working out. Of knowing that things don't stay the same. That situations, no matter how bad, can work out for the best one way or another. Maybe working on something like this gives me some solace. Maybe that's why I'm feeling so tentative about it. The painting's only 9"x12" and the little things can be delicate. They need special care and attention. Working small has made me feel like I'm tiptoeing. Taking little steps. Being more mindful. Perhaps that's what I need right now. A little stillness of heart.
I think that's what I want for Christmas this year.

Well, that and a new MP3 player.

Cheers,

R

Refreshed

I'm back from NYC and I feel recharged for the first time in a long time. I've been taking so much time off painting lately I think because even though I was actively working on a piece and had others I wanted to get done I'd really been struggling with the desire to actually get down and do it. It's not like my weeks haven't been a little hectic, but I think I was using that as a beard for a lack of motivation. If you really want to do something you'll find a way. The opposite of that is true as well.

My day-job employer, Aviva, sent me out to Woodbury, NY to do some inventory work. I'm generally always happy to travel and the trip itself went well although the work experience could've been better. On the other hand I did finally get to meet some people I've worked with for several years that I've never had the chance to actually put the face with the voice. So that part was good. Plus one of them gave me an umbrella when I told her I was going into the city to take pics. Very cool. So, Thanks! Needless to say the umbrella went to good use as it was windy, raining, and about 40degrees. I couldn't have cared less. It was effing beautiful. I met up with a couple of friends and we pretty much walked, got soaked, and had an excellent time. I took about 60 good pics. I couldn't get as many as I wanted because I couldn't keep the camera out for long in some areas due to the blowing rain. Miraculously it still works. It was totally worth it.

The trip revitalized me. I had to really want to get those shots to go out and wander around in that weather. The experience forced me to have to endure some unpleasantry to get the really good stuff. Granted I had good friends along and Hot Toddies at the end of the road before the train ride back to Long Island. The company of friends can take the edge off of nearly anything.

So thankful that I went. So glad to be home.

Looking forward to starting on some of these. Maybe tonight.

Cheers,

R

Before I Go

So I've been thinking a lot about things lately. I haven't been painting much. I haven't been exercising much either. Seems like there are a number of things that are falling into that category. I've had a few shows recently and there is talk of more. Lately tho I've been settling into a different mindset.

Seems to me that Winter is a time for thought. It's too cold here to want to spend days on end enjoying the out-of-doors so your options become limited. We read, watch TV, talk, or if you live where it's cold you probably drink and/or have sex. All perfectly good ways to take the edge off of cold Winter months. Not only that tho I think it's necessary in a way. To be sheltered away for a while either on your own or with those you love. For some people it's both. Any way you slice it... it can be time well spent, but you'd be wise to build up your reserves.

I will settle back into my routine of nightly painting very soon, but just like the colder temperatures this season's frame of mind can take a while to get acclimated to.

Here is an update to my current piece. The original photo was taken in October. A time when everything alive is storing up for the Winter.

On the road to New York tomorrow. Better get some sleep.

Cheers,

R

Quite a Week

Wow, this week's been a bit of a whirlwind so I haven't been painting much. It bothers me a bit, but on the other hand I've been using the time to promote my work and do a little reflection. Plus work's been a bear. My coworkers and I have spent the last week doing assett inventory for my employer, Aviva. That means we've been working with a team of contractors to pretty much count everything remotely electronic. With three buildings in Des Moines and four remote locations it's a pretty big undertaking. I'm proud to say that we've been moving along ahead of schedule although it's been exhausting. Mostly I've just wanted to come home, spend time with my boys, relax a little and go to bed. There IS a little bonus that comes with this project tho. I've been assigned to go to our New York office to do the inventory there. The office is on Long Island, but I'm hoping to get into Manhattan for at least one night. Christmas time in NYC is practically mythical in my book and I'm geared up to take pics til my camera explodes. Can't wait for that part.
Day-Job aside the rest of the week's been very entertaining. The Crossroads Conference happened Thursday night and I have to say that it was a blast. Lots of good music, art, food and drink. The New Belgium Brewery was one of our sponsors. I LOVE their 1554 Enlightened Black Ale. Nectar of the Gods... Last night ArtDive had an open house and the Fitch Studios & the Fitch Gallery had their open artists' studio night. Both were very well attended. I got to spend some time with some amazing artists and regular people as well (smirk). I spent the earlier part of the evening discussing art with visitors and potential customers. I tend to be a bit of a solitary observer, but for some reason I felt like I was in my element this week and chatted up a storm. I have to admit... it felt good.
That brings up a discussion I had last night with a new friend of mine. He teaches Art and had some interesting insights not only into my work, but into this blog. I tend to break the blog up into "What's going on in my life" and "Here's what I'm working on". I never really considered it, but it sort of insulates my personal life from my work. Perhaps it's my tendency to be a voyeur that led to it. I'm not 100% sure, but it's given me something to think about. I feel like perhaps I need to include myself more into my work, or at least in my discussion. Not just talking about what I'm doing, but why.
I'll give it a try. Hell, I'll try anything once. Well, almost anything....

Hope to have some more updates and maybe even some insights before the weekend's up. We'll see.

Cheers,

R

Keeping Up the Momentum

Getting back to it after a couple days away and I'm glad I did. It was nice to take a few extra days away from the studio this last week, but momentum is important to me. Too many times in the past I've let it slip only to find myself wondering where the time went and what I spent it on. Not to mention I tend to get surly when I don't paint.

So now it's one to the next one. I posted some pics a while back from a trip to visit friends in Galena, IL. I started the painting a few weeks ago, but have left it largely untouched in my efforts to get work done for the show at the Heritage Gallery and the CrossRoads Conference coming up this Wednesday and Thursday. I feel like I'm getting a good grasp of this image and have every confidence It'll be done within the next 10 days. I spent tonight redifining some of the shapes and laying down some more colors. I still need to correct the overall shape of the stiped awning and spend some time on the right-hand figure. Looking forward to seeing this one finished.

Sleep now...

Cheers,

R

The First Real Snow!

Typically Sunday mornings are a big deal around my house. The kids drag me out of bed (read as "off the couch") and I get up and make a huge breakfast: bacon, eggs, sausages, pancakes or waffles, fruits... the woiks. This Sunday morning however they're off and running. No sooner had we all gotten up and moving then the neighbor kids started arriving in their snowpants and heavy coats asking if the boys could come out and play. Naturally I couldn't deny them. First snows are always good childhood memories. Good adult ones too. Thinking about taking a walk in it while it's still coming down.
So they're out playing and I'm having a cup of good, hot tea for my sore throat and my aching head. Had a few too many pints at The Vaudeville Mews last night. My reason for not having any updates this morning. In truth I still managed to fit some drawing in at a place called The Lift before my friends turned up. I may post that later, but I'll need to scan it first.
So cheers to you this fine, snowy morning. Let your kids get out and play in it. Let yourself get out and do a little of the same.

R

Just in Time

So which are we as a country celebrating more this year? Thanksgiving or Black Friday? It seems the latter has been getting all of the attention with things being the way they are. Understandable in uncertain times. Perhaps having a tight Christmas will get some people to start thinking about the way we're all living. Hmmm...

"...it's good to be fruitful, but don't take more than a mouthful" - Lenny Kravitz
Enough about that.

I've managed to take a few days off painting this week to give myself a break. Seems like i've been doing a lot of that lately. It's good to focus on some other things for a while. I got some great work done this week as well. I managed to finish Big Red. The actual title is Washington Street in Red. The location is in the Iowa City Ped Mall area. A place where I spent a lot of time getting pics when I lived in Coralville. I may do some touching-up of the large, yellow neon sign area on the upper-right, but all-in-all I feel done. Just in time too. I've got to deliver my paintings for the Crossroads Conference coming up this week (12/3 & 4). Can't wait. It should be a great event. Hope to see some of you there!

Time to get the boys rounded up and run some errands. We'll see if I can pry them away from the Playstation (shuffles to the garage to get the crowbar...)



Cheers,



R

Amost Forgot...

I did forget to mention something last night as I was rambling on. I'd recently gotten a painting accepted into a juried showing at a local gallery. The reception yesterday was great. Great turnout, great art, and some great conversation. All of this made better by the presence of a very good friend turning out for moral support (Thank You!!).
As it turns out I didn't rate so much as an honorable mention. But judging art is very subjective. It's all based on the tastes and moods of the judge or jury at the time. A different judge might have different tastes in art and the decisions can just as easily go the other way. Not to mention the artists were all top notch. I thought all of the pieces had great merit and was happy to be in such good company.
I did get a lot of inquiries about the piece, NYC Coffee and my art in general. More names for the mailing list... It all leads to something.
The point is that you can't take things like that personally. You keep moving forward. Keep trying. Keep getting up. Keep striving. You never give up once you've found your calling.
Next time...

A Quick One Before Bed

It's been a pretty good weekend. Spent Friday night out listening to some excellent music. I was alone so I probably looked a little odd to some, but some nights you just want to check the scene and listen to the tunes. I'm a people-watcher too so that helps. That's a better show some nights than what's up on stage. I don't mind doing things by myself. I love going to movies, galleries, and the like that way. Gives me a chance to really take it in without having someone else to consider.
Got some good painting time in last night and tonight. I'm just going to post a couple of updates and notes before I go crash. Why can't we ever just rest on the weekends?
In tonight's updates you may not notice any huge differences. I'm spending my time getting the shapes right while adding successive layers of color. Last night I made a few more decisions about the person, but she's still pretty fuzzy and something doesn't feel right about her. I added some details to the window towards the front. Nothing major yet. The large sign on the top needs work, but I'll get to it. Still not sure what to do about the lower, left corner. I kindof like it, but it doesn't fit with the piece. Hmm..
Tonight I spent some time redefining one of the white signs correcting its shape and trying to make it look like more than a blob of white. I added some details to the shop window and spent a lot of time refining the girl. I spent a little time working on some perspective issues that have been bugging me, and added more of the dark to further deepen it. After this gets varnished it's going to gain some nice depth there. I think it's coming along nicely and I shouldn't have any problems having it done for the Crossroads Conference coming up December 3rd and 4th (Click the link for details). Should be a good time. I'm thinking 2 more sessions should get it.

Looking for good things this week. Perhaps I should say, "Finding" instead of looking?
Off to bed.

Cheers,

R

Working on Big Red

Although I have no intention of actually calling this piece, Big Red it's fitting for the moment. It's 60" tall and... well, Red. Its predecessors are called Washington Street in Red. I'm loving the simple composition on the large-format canvas. I spent last night working on giving the predominant colors some more depth. I try to achieve this by adding many layers of thin paint over the base values. It gives the color a rich look and feel. The process also helps me to define and redefine the shapes I'm working with. I'll push and pull the shapes until the elements of the composition look right together. Over the next week you'll see the shapes getting more (or sometimes less) refined as they settle into their final positions and achieve their final colors.
I love to lay the paint on really thickly too, but on a piece this size that can cost you quite a bit. Things being the way they are I've had to adjust my process a little when working large-scale to save paint and money. Art is one of the first things to get hit when the economy goes south. It's a luxury good and people are reticent to pay a lot for it when things are down. I like to paint large, but in a bad economy I've got to be conscious of price. Keeping the paint thinner challenges me to achieve my desired results with a different technique than I may prefer to use on a given painting while keeping my costs lower. That allows me to pass it on in the price of the finished work. Plus the overall effect can be gorgeous... which is what I'm hoping for on this one.
Have a Happy!

Cheers,

R

Revisited

First and foremost I would like to say HAPPY BIRTHDAY!! to my little one, Zane. He turns five today. He's growing up so quickly. He's a great little guy and I'm very proud of him for a great many things. One of those things is that he's starting to take after his Daddy. He will spend hours per day sitting at the table drawing and coloring. I'd say he's already starting to interpret things like figures in a way that greatly exceeds his age. Both of my boys have exhibited artistic inclinations and I couldn't be more excited about it. That being said I will be equally proud of them no matter what path they take in life so long as it's a positive one.

After taking a few days off for some R and R and R (Rest, Relaxation, Regrouping) I started in on a new canvas. I'm revisiting an image that I've rendered a couple of times in the past. I really love this image. It's based on a shot that I took about 10yrs ago when I lived in Iowa City. Personally I think it's OK to revisit things like this. I don't look at it as looking backward. I see it more as a deeper exploration of a familiar thing. Sometimes you don't really see a thing until you delve into it many, many times. The composition is simple, strong, and striking. A single figure walking in the crimson glow of a storefront. I hit the canvas with real enthusiasm at about 11:00pm and didn't look up until nearly 1:30am. I love it when that happens. It's like I'm in another world. Sometimes I even feel like it's not really me doing it. By the time i called it a night I was covered in Winsor Red and ecstatic. The pics here are from last night's progress. I didn't include shots of the preliminary pencil drawing on canvas althought I may post pics of the pen sketch I did in preparation last week. Now imagine this is 36"x60"!
I'm hoping to put this up in the CrossRoads Conference for the Arts in December so I'm going to really hit this hard and do my best to get it ready.
Aiming for good things this week.

All the best,

R

And So It Is...

Funny how some chaos can throw you into a working frenzy. There's been a lot of bad craziness going around these days. Bad craziness in the world. Bad craziness at home. Sometimes you've got to take that negative energy and re-channel it into something positive or at least constructive. That's what I've been trying to do over the last week and it's really come through in this piece. I've made more progress in a shorter time frame on this big guy than I did on a painting one quarter its size. Size is relative I guess.
And so it is... I've finally finished this Chicago piece. I've decided to name it after the character standing in the bottom, left corner. I've been calling him The Watcher. So this painting is titled "Twilight in Chicago - The Watcher". He's a little creepy if you ask me.
I spent a lot of time last night trying to work out a good solution to a nasty curve I'd painted into the prominent building in the right foreground and for hiding the remnants of that taxi cab I'd decided had to go. I blew through a lot of paint attempting to get it right without it looking like i was trying to cover something up. That's the beauty of a medium like this. Oil paints are very forgiving which is part of the reason I love them so much. Not to mention they just smell fantastic.
I have nothing waiting on the easel which means I've got work ahead. Seems I've got a favor to repay to some very cool people. All they wanted in return was a painting from my photo safari to Galena, IL. I guess I know what I'm doing tonight.


Until next time


Cheers,

R

Surreal and Nearly There

I think I mentioned last week that I was going to have an empty house for the weekend. It did actually happen and I had an empty house for the entire weekend. That's never happened before. I'm a proud parent and LOVE spending time with my boys, but even the best of us need a break. It was well worth it in my opinion although Friday night and Saturday morning were a bit on the surreal side. I didn't sleep much Thursday night so I wound up wanting a nap around 9:00pm Friday. I set my alarm for 10:30 so I could hit the studio refreshed. Instead I awoke around 2:30am. Unable to get back to sleep I made some coffee and hit the studio. I painted from about 3:00 until about 6:30-7:00. The time was incredibly productive and I wouldn't mind trying that schedule again assuming I can start going to bed around 9:00pm. I wound up staying up until 2:30 Sunday morning. Go figure.
I painted Saturday and Sunday nights as well. I feel like this Chicago piece is nearly completed. One of the big breakthroughs was the realization that the taxi cab that had been dominating the foreground just wasn't working. It was serving the purpose of adding some depth, but it wasn't meshing with the composition as a whole. Add to that I just couldn't seem to get it to come together as an object. In short it was pissing me off so it went away (you can still see remnants of it that will be covered with successive layers of paint).
I've been working from photos almost since the beginning. I used to paint them verbatim.. within my developing style, that is. Then one of my painting profs at UNI said to me, "These are good, but what are you really doing with the image? Are you making it your own or just copying what you see?". That really struck me and has stayed with me all these years. It was then that I truly learned that subject matter isn't sacred. Whether you're painting from life, photos, or whatever make your subject yours. Give it your own twist and don't get too hung up on the details.
In other news I did wind up getting a piece accepted into the Polk County Heritage Gallery show this month. It's a gorgeous venue and I'm sure to be in some very good company. Can't wait! I got some other potentially very cool art news this weekend too. It's only a maybe at this point, but I'm excited all the same. I'll divulge what it is only if it becomes a reality. Don't want to jinx it.
Hopefully in my next post I will be able to show you a finished piece.
Until then,

Cheers!

R

Friday Updates. Sweet Peace and A Reminder

This week's been a tough one to be sure. Lots going on at the house. Lots going on at work. Not all of it good. In fact, a lot of it's been pretty bad. All of that just got tossed out the window tho and I've been reminded how precious life is. I just saw a message stating that a woman was run over by a garbage truck behind of the my employer's buildings here in DesMoines. She was killed. It may be someone I've worked with. At this point no one's saying anything. That slapped me in the face and reminded me that all of the petty crap we do to each other and ourselves from day to day isn't worth it. Love those your have with all of your heart and don't sweat the petty stuff. You never know when your (or their) number is up and you'll never get the chance to say all of those things you meant to say. Say them NOW.
In other news I just may have a completely empty house this weekend. That would be the first time in over a decade that this has happened. I'm not sure what to do with myself. Maybe something... Maaaaybe nothing. Either way, what bliss. Honestly, I will miss my children quite a lot.
I've made some great progress on the new Chicago piece. I've made some adjustments to the skyline. It needed more variety. The color I used to make the change was a little off, but once it's dried a bit I'll be able to work it to where it needs to be. I've also lightened up the far horizon element a bit. Not satisfied with the color tho. As for the rest I'm picking at the smaller elements making them work together so the final piece doesn't look choppy or too busy. The individual bits need to work together smoothly to create a coherent piece. I'm sure I'll use lots of my spare time to create this weekend. I'm looking forward to getting some good work done.


Cheers,

R

Tuesday Image Updates

*does not blog about politics if at all possible. will not be blogging about the election today. go and vote your conscience*
One thing I'm learning as I go along is consistency. Not just in my work, but in my work habits and life. I try to get to the studio about the same time each night. I try to do things on a schedule. I'm not a list maker or a calendar freak or anything like that. But especially when you have kids you have to keep things on track when it comes to day-to-day stuff. One should also be consistent when it comes to friends as well as clients. Point being if you're going to do something do it when you say you're going to do it. If you say you're going to make a phonecall... make it. Try your best not to leave people hanging wondering what's going on. Sooner or later they'll take it personally or will simply stop dealing with you out of frustration or whatever. I've been guilty of inconsistency and it's cost me from time to time in many different currencies (monetary, emotional, etc.) So take a lesson from me and work on being consistent in your work and life. It's hard work, but being a disciplined artist/person does have its rewards.

So.. there's my little soapbox bit for the day.

Now, on to the work. The new Chicago piece is looking great. I've spent some time last night and over the weekend reworking the shapes of the cards and the background buildings. I've also started to give the big, red Chicago sign some more contrast and depth. The big building up front is start to take shape as well. If you look back through the progressive pics you'll see the windows are starting to form as areas of light and dark are worked back and forth with and against each other(remember: push and pull). I'm still debating on the color of the blue car in the middle ground. In the source pic all of the cars are more or less that cadmium yellow because of the streetlights and storefront lights. So here's where you have to ask yourself some questions: do you change the color for the sake of some variety or does it detract from the overall composition and color-balance of the piece? Still undecided.
On a side-note I put in for a show at the Polk County Heritage Gallery that will be going up this month. I'm hoping to get at least one piece in. Wish me luck!

Cheers,

R

Calling it Good

One of my good profs back at UNI, Deb Zlotsky used a saying once or twice, "A painting is done when the telephone rings". I know she borrowed that from a famous artist, but I can't remember who. Basically what that's saying is that for a painter you can't just say, "I've worked on this X hours and now I'm done". What happens more often than not, in my experience is that you work on it until it hits you. Something happens (like a telephone ringing) and you just get this epiphany. Something in you says, "that's enough".
I feel like I've finally put this little painting of the ISU campus town to bed. Stayed up a little extra late last night nitpicking until it finally hit me... I'm done. I've done enough. The picture posted here isn't the actual final image. There were some adjustments to the green sign over the building window near the foreground. So I'm going to post this one on my Etsy store for a week or so until it either sells or I take it down to ArtDive for display. It's only 9"x12" so I'll price it reasonably for the amount of work I've put into it. I always say I'd rather sell art than sit around looking at my own stuff. This one needs to go to a good home.
Getting geared up for what could be an entertaining Halloween weekend. I wish you all the best. Have fun and be well.

Cheers,

R