Monday, February 8, 2010

Grace

Grace (grs)n.
1. Seemingly effortless beauty or charm of movement, form, or proportion.
2. A characteristic or quality pleasing for its charm or refinement.
3. A sense of fitness or propriety.

This week I was reminded of something. I was reminded of a choice we all have. About how we choose to carry ourselves from day to day. Our lives are hectic. Some say that we as a species are subjected to a historically unprecedented level of stress. I don't know if that's true, but I can say speaking strictly for myself it seems like things never stop. There are getting to be fewer and fewer opportunities to sit down and decompress. These days it seems that if I stop moving for too long... I just fall asleep. Those of you with children will understand.

Through all of this chaos (organized or otherwise) we still have some choices as to how we decide to live. Recently it's occurred to me that the only good choice, barring the ability to remove the stress, is to go through it all with a certain measure of grace. We can choose to walk effortlessly through our daily struggles letting the difficulties wash over you as water to a duck's back OR we can choose to let these adversities crash against us as though we were rocks on the ocean shore. While the latter may sound like a position of strength and endurance you have to remember where all that sand on the beach came from to begin with. It seems to me that moving with grace is the only logical choice.

People have been encouraged to forget this option. It doesn't sell. But when I look at the individuals I've admired in my life I think that one of the things that they all have in common is that, to me at least, they moved forward with a certain grace. It used to be the order of the day. Glamorous movie stars living so effortlessly. Heads of state with honor and strength. I know... I know. The past is largely an illusion created from memories of real events airbrushed by a sense of nostalgia, but I can't think of too many people that routinely make the headlines these days that I can say, "Yes, I want to be like that". I think they're out there. I think people prefer to see the Trainwreck. It's easier to look down on others and demean than to look up and aspire. Maybe it's also easier to stomp your feet and act like a child that it is to make the effort and inspire.

As for me: I've made my decision. I can act like a child. I can be a stressed-out trainwreck. I can be unorganized and confused. I can suffer the slings and arrows... I'm going to try to keep that on the inside for a while.
For the time being I'm going to try to walk with a little Grace.


Cheers,

R

Wednesday, February 3, 2010

Mark Your Calendars - Solo Show at The Lift !

Here's a quick update on what's happening:

A quick reminder that you can still show up for Drawing classes Monday and Wednesdays nights at the Des Moines Social Club. Beginner's Drawing class runs from 6-8pm Mondays and costs $10/session. You do NOT need any prior experience to attend. In some cases it's preferable. It's always easier to fill an empty cup. The full ones just keep spilling over.
Drawing II classes run from 6-8pm Wednesdays and are $12/session. I do require either prior attendance at my Drawing I class or some level of demonstrable skill.

Now for the big news:
Mark your calendars for Friday, March 5th. I've got a solo show coming up at The Lift and I'd love to see you all there (and your friends, their friends, their imaginary friends, relatives, pets... you get the idea). Drinks will be served. Food will be eaten. People will talk. Art (and people) will be stared at, potentially discussed and hopefully purchased.
The Art. Not the People.

More details to follow.


Cheers!

R

Friday, January 29, 2010

Narcoleptic Posting

So I come to on the couch with my laptop half on and half off my lap and the TV on static. I get up. I grumble a bit and blearily slouch off to the bed... such as it is. I get up. I go to work. Then it happens. I start getting FaceBook comments about my blog post. Hmmm... last thing I remember I'd clicked "Save Now".

or was it "Publish Post"?

Somehow I managed to publish the last entry from behind the wall of sleep.

At any rate I meant to include some pics.

It needs some work yet and I'm not much for interior design, but I can tell you this much... it feels good.

Cheers,

R

Wednesday, January 20, 2010

Regrouping

Took a break. Had to take a break. That's just how it is after the whole Holidays hoopla.

The Sensory Overload show at the Instinct Gallery was a great success. Loads of ultra-cool Art and an always eclectic crowd. My boys even had their shirts screen-printed while we were there. Pretty sure that was their favorite part. Naturally they picked some awesome designs. They ARE my kids after all.

After waaaaayyyy too long I've finally moved into my studio space. There's a lot of work to be done for sure, but I'm off to a good start. I've had the opportunity to get in a few days this last week and to be honest... it felt pretty good. One of my biggest hang-ups has always been that I rarely, if ever, got to start painting before 10:30 pm. That gives me a couple of hours of painting at best. Having a space of my own away from the house gives me the opportunity to paint for longer periods of time at different hours of the day... basically whenever I can get time away.

Friday, January 8, 2010

Sensory Overload Tonight

Gonna be a great show. Hope to see you there!


Wednesday, January 6, 2010

Cocktails with the Crimson King

Well if you ever wanted to know what my Id looks like... this isn't quite it, but it's getting there. My latest painting, the first in a series I'm calling "Cocktails with the Crimson King" is called "The Numbers Man". I originally was going to call this guy "The Messenger", but another character popped into my head that fit the bill for the name a little better. He'll be coming along presently. At least I hope he will. This dirty birdie is keeping the books and keeping his eye on you. Apparently you've "accrued" some sort of debt.

I had a lot of fun painting this piece. From the happy accident with the crow's head to spending loads of time fiddling with the glasses it was a joy to work on it went fairly smoothly from beginning to end. Like anything there are parts about it I don't feel 100% about, but when it's time it's time. Plus I had a deadline which always helps in the decision-making process.

It's been a good exercise in both spontaneous and technical painting. I like the feeling of not... feeling like I have to paint a certain way. Once you start doing a thing it's easy to get stuck doing that thing. That's fine for a production painter, but it's not much for self-discovery. When you're producing art for the sole purpose of selling it you can lose touch with the drive that caused you to start creating in the first place. I've seen others get stuck producing a certain type of work because it sells. I have nothing at all against that. Lord knows we can all use a leg up, but I've seen the frustration it can cause. I hadn't reached that point, but I was severely questioning what I was doing. I had a bit of an epiphany and realized I had to let go of the idea of "Me" that I'd put together over the years. You grow accustomed to yourself and who you think you should be much like you grow accustomed to a well-worn set of shoes. You know they're well past their prime, but you can't bear to part with them.

That being said I'm still going to keep producing the cityscapes, but I plan to put some more emphasis on these new pieces. I'm wondering how, if ever, they'll come together. I find that I'm not as concerned about selling them or whether or not people like or approve of them. I like them. I want to produce Art that I like. My tastes vary. Why shouldn't my work? This isn't just about a vocation. It's about looking back at the end of my life and saying, "I'm glad I did that".


Cheers,


R

Monday, December 28, 2009

Classes are Starting Up Again Soon!

Hello one and all. I sincerely hope everyone had a wonderful holiday weekend (if you were lucky enough to have one at all). Just a short note to remind everyone that I will be teaching drawing at the Des Moines Social Club again. I'll be teaching both a beginner's and an advanced course one night per week. A little different from the last time around...

Classes start Monday, January 18th. Here are the details:

Principals of Drawing 1

Facilitator: Robert Reeves

10 sessions: Mondays 6pm to 8pm, January 18th to March 22nd

Price: $10 per class or $30 per month

With a focus on the concepts of Line, Perspective, Gesture, Values, and Proportion, this class will show students how to draw what they see vs. drawing their ideal of a given subject. In-class drawing assignments will be limited to simple objects to begin and moving to more complex objects and figure drawing as sessions continue.

Principals of Drawing 2

Facilitator: Robert Reeves

10 sessions: Wednesdays 6pm to 8pm, January 20th to March 24th

Price: $12 per individual class or $40 per month

This class is designed for the student looking to improve their basic understanding of Line, Perspective, Gesture, etc. In-class drawing assignments will include figure drawing and complex compositions. Each class will begin with a 15 minute “warm-up” session involving quick gesture drawings, still-life or figure drawing and will wrap up with light critiques and short Q&A session.

You can sign up by contacting either myself via this blog or my email address, rob@robreevesstudio.com, or the DMSC directly. Bring your paper. I'll supply the rest.
See you there!


Cheers,

R

Wednesday, December 23, 2009

Took Me By Surprise

Sometimes things just sneak up on you. I've said many times that I'm looking to make some fundamental changes in my work. I still enjoy doing the Urban Landscape thing, but I'm looking to incorporate more narrative. To create stories... or at least some questions.

Looking to incorporate more figurative study into my work I started preparations for a portrait of sorts. More of a themed piece based around a photo than an accurate painting if you know what I mean. I did the early, rough sketches. Did a lot of thinking about how I was going to lay it out. So I put brush to canvas and within 20 minutes pretty much all of that had gone out the window and my friend was starting to develop what was looking strangely like the head of a crow. It wasn't planned. Totally not my intention. He was supposed to keep his own head. Although I'd considered inserting my own I ultimately decided against.

So here he is with this crow's head thing going on and I'm left with a choice: Keep heading in the direction I'd intended or Go with it. There mere fact that this happenstance occurred was enough to convince me to go with it. It more or less flowed out of me at that point. After two sessions I'm very pleased with what's come out. I plan on putting a lot of emphasis on the hands and glasses in the foreground. The head is nearly done. Plus there's this really great wallpaper in the shot that I'm looking forward to painting. I won't show you the whole thing yet though. Here are some details of the work in progress. If you want to see if in person you'll have to come to the "Sensory Overload" show at Instinct Gallery here in good ol' DSM on January 8th. I'll post the final after the show opens.

Spent some time in the new studio space this week. The walls are painted a lovely shade of eggshell. I'll be painting up the chalkboard wall this weekend hopefully. The floor timbers need a good scrub and a little oil soap to make them look good again as well. Once that's done (Sunday maybe?) I'll start moving my stuff in. I'll be looking for some furniture and little amenities to "home it up" a bit. I think I hear Craigslist and the local thrift stores calling my name. I'll post some pics when it's a little more in-progress.

Until then I'd like to wish everyone a Merry Christmas or whatever you happen to be celebrating (like an extended weekend). Tonight I'm celebrating my first son's tenth birthday. Who knew I'd have a 10 year old kid? Clearly I'm far too young...


Cheers,

R

Tuesday, December 15, 2009

Done with Christmas


It took some doing but I finally wrapped up my Christmas commissions. There were 2 good-sized charcoals and a painting going to the same person... presumably for Christmas presents. They should be arriving at their final destination this week. I sincerely hope the client is as happy with them as I was. It was nice to have a chance to bone up on my drafting skills. I'm trying to get less literal in my work, but it's always good to keep your technical skills sharp.

After taking a couple of days off I'm back on the job and working on a couple of projects. I've got a piece in mind for a show that's coming up very soon called, "Sensory Overload" at the Instinct Gallery in Des Moines. I've unfortunately run out of good canvases and don't really have time to place an order. Instead I've pulled out a damaged and rather large canvas I've been sitting on for a couple of years. One of the bars was crushed in transit from the supplier. They immediately replaced the order, but they never retrieved the damaged merchandise. I finally broke down, disassembled the stretcher bars and am going to re-cut and join the frame. It will be a bit smaller than its original 60"x48", but it will be much stronger... and in one piece.

It's when you start a project like this that you realize what little odds and ends you're missing. I miss having a corner vice, for instance.

I also started work on my studio space. The interior walls are primed. Now to prime the exterior and start painting. I'm going to have a red door I've decided. I'm also going to have some chalkboard space on the wall. It should help me with keeping track of random ideas as well as give my boys something to do when they visit. It might also be handy for teaching which is something I plan to do in this space.

I'm looking forward to being able to instruct oil painting as well as drawing. I'll have all of the materials there and plenty of room. Sooo... uh, if you know anyone who's looking for painting lessons... just uh throwin' that out there. Classes are coming soon.


Cheers,

R

Thursday, December 3, 2009

A Plethora of Progress


I've been busy.
I've been able to get a lot of work going lately. Sometimes the ideas have a way of coming out on their own.

I've been doing a lot of talking about changing things up and some of that involves ceasing to censor myself while I'm working. That pretty much means anything goes and that frame of mind has helped me to lighten up and paint whatever comes to me...

I've got some paying projects in progress, but sometimes you have to take a break and let go a bit. The commissioned work is a bit out of my norm in certain ways as well which is a good thing. The drawings have been much more detail oriented than I'm used to, but it's been a good exercise. I've had to pay more attention to detail... something I tend to let slide.

So here's the work: Some of it is finished. Some of it is not. Some of it is commissioned work. Some of it is studio work bound for the gallery. Some of it is personal.

One came from a dream I had when I was younger and one came from a strangely unsettling scene briefly glimpsed during a perilous drive through dense fog at an unappetizing hour.

Two of them are tributes by way of imitation of an influence, but they are still mine.



They are all mine... for now.


Cheers,

R

Wednesday, November 25, 2009

A New Home

It's been a long time in coming, but I finally signed on for some studio space outside of my home. I've been debating it for a few months now as I'm looking to move out of my current house and into an apartment/condo/rental home... pretty much whatever I can find that suits my budget and appeals to me. No matter how I slice it odds are that I won't find something with a lot of room for studio space. I'm finding that as my kids grow the amount of space they require grows exponentially... no matter how tight I wrap them.

So I've signed on for some space at the up-and-coming Northland Studio. I was introduced to the space last week and really enjoyed what I saw. The space is monstrous with some great old features like exposed brick and massive timbers. The owner has agreed to build studio space to suit our needs. I'm looking forward to seeing how that goes. Granted the building is old... and all that that implies. I'm betting there will be issues with dust and snags with heating or something on that level. Additionally the owner rents some of the space to local bands. Your mileage may vary with that kind of thing. The last time I visited the building the band that was practicing was actually quite enjoyable: instrumental trip-rock. We'll see if the other acts pan out as well.

The westward side of the space features a great view of downtown. I've picked an eastward-facing space for the time being because of the size and availability. We'll see if I change my mind.

Interested in some space for yourself? Here: http://desmoines.craigslist.org/ats/1463767418.html


Cheers,

R

Thursday, November 19, 2009

A New Venue

Coming at ya on a cold, Iowa morning where the fog is so thick you can't see my hand in front of your face.

I recently happened upon a new venue for my artwork. The painting, "Washington Street in Red" is now hanging for view and sale at Baby Boomer's Cafe in Des Moines' historic East Village. They serve good, honest food and breakfast all day FTW! It says on the website, "just like your mom and grandma served it up...hot, fresh, no substitutes, and no excuses". That's assuming that your mom and/or grandma was a kickass cook. The homemade pies are to die for.

Aside from great food (and my painting) Boomer's also has works on display by Van Holmgren and Lee Ann Conlan.

I would highly recommend stopping in, eating lots, and while you do... check out some great art.

Oh, Tell Rodney and Tom (the owners) I said "Hi".

Got some other big news coming up! Tell ya tomorrow.


Cheers,

R

Monday, November 16, 2009

A Bit of a Surprise OR The Yattering and Miss K

When I started painting Friday I had no idea what was in store me. I mentioned a while back that I was interested in doing some portraiture as well as some more figurative work. I've been wanting to change the way I paint as well. Painting more intuitively as opposed to working strictly from photos or from life. Friday gave me a solid dose of what I've been looking for.

So I've been sitting on this photo for the better part of a year. It's a picture that I really enjoy of a friend of mine. I asked her if I could use it sometime last Winter and she agreed. Then in my usual manner I filed it away for "future use" and promptly forgot about it for 6months. I decided Friday was the night. My commissioned work is coming along nicely (plus it needed an evening to dry up a bit) and I was itching for something different to paint so I printed off the photo and started working. The pace was feverish. I don't think I looked up for 3 hours. That's when you know you're having a good time... Am I right? Yeah. At the end of the that session I'd managed to cover the entire canvas in a fairly well fleshed-out portrait. It needed some refining, but the elements were there. Plus my friend had evolved a friend of her own. He's kind of creepy and kind of comical. I'm going to say he's a Yattering. It's from a Clive Barker story called The Yattering and Jack. He's a minor demon sent by Beelzebub to torment and irritate. You have to ignore them or they'll walk all over you... and take your soul to Hell. Some people. Her apparent lack of awareness of the presence of the Yattering is belied by her bemused expression. Oh she knows he's there and her refusal to acknowledge his deeds is driving him nuts.
Or she's a meth-head and this is her paranoia in action.

I took a couple more hours over the course of the weekend to refine both of their features. The Yattering took on a couple of different incarnations. I settled on the last one because of my personal interpretation of the little guy's purpose and my own deep-seated fear of faceless gibbering horrors no matter how comical. All in all I was blown away by the speed at which this painting poured forth from me. I typically paint more slowly working on a single piece for 4-6 weeks. Hmmm... I suppose if I had more time during the day (looks thoughtfully toward the sky)... I should probably be careful what I wish for. Then again...

I've never had a lot of success painting faces. Especially making those faces look like the person (people) I'm supposed to be painting. I began to realize that was part of my block. I was so wrapped up in making a Portrait that I was failing to make a Painting. I eventually let go of the fact that I was painting someone I knew and just started painting a girl. A girl based on a photo of someone I knew. I am happy to say that her eyes DO follow you wherever you go. In the context it's more than a little unsettling.

I also had to let go of the idea that my fictional/fantastical ideas for paintings were somehow of less worth than my other work. That was a tough one. I was told a long time ago that I shouldn't put the two together, but part of me has been trying to reconcile them every since. Perhaps this is a step in that direction. Either way I'm excited and more than a little surprised at myself.
It doesn't get much better than that.

I think I need to do more. Wanna pose?



Cheers,

R

Thursday, November 12, 2009

A Hurried Thursday Update


Good morning one and all. Just wanted to make a quick post this morning to catch up on what I've been doing. It's been over a week since I blogged and I'm feeling like a bit of a slacker in this respect.

I just finished a commission I picked up back in early October. It's another Des Moines cityscape. My client came to me with a couple of very nice photos and we collaborated a bit on how to put the piece together. I'll say it again. I've been very lucky with my clients. They've all been so easy to work with (that's not always the case). I put the finishing touches on it last week and delivered it Monday. Just in time as I've got a number of project lined up. Every now and then it seems like I've got to feed this compulsion to take on a bit too much work, but you do what you do to keep you motivated. I've got work to finish for the Crossroads Conference in December and for another potential group show in January. And let us not forget we barreling towards the holidays... and all that that implies.

"It's another Des Moines cityscape."
There's the only problem I've really run into doing commissioned work. I've got these directions I'm trying to take my Art, but commissions are usually requests for you to produce something in the style with which people have become familiar. Don't take that the wrong way... paying gigs come first for the most part, but sometimes it can feel like they're stifling forward movement. I've heard this from other artists at different points as well. The general concensus is however that people need to eat as well as a myriad host of other things to survive. I'll never complain about selling work or having a damned good excuse to stay up at night.

But I do have a number of ideas that are just screaming to get out. I'm looking forward to a chance to let them.


Cheers,

R

Monday, November 2, 2009

New Scam Coming Soon to Your Inbox!

Hey Kids! I just got hit up by a new email scam this weekend. Well, it was new to me at least. It came as the result of posting my teaching class on Craigslist.

Here's the message I received verbatim:

mikkylemore@aol.com to rob
5:24 PM
My name is David john I'm interested in your lesson. I would like you to
be taking my daughter your lesson while i am at work in your city. I live
in England(UK) but i'm moving to your area because I'm having a contract
with Environmental Protection Agency in united state, And they are the one
responsible for all payment of all my need including the lesson fees and
there mode of payment is by Cashier Check.The contract will be just for 4
weeks so i want you to email me back if you can teach my daughter,
(jenny) she is just (18 yrs old) and also you don't have to worry
concerning how she will be comming to the lesson i have already made all
neccesary arrangement for all her needs infact i have negotiate with a Cab
Company that will provide her the Cab and driver that will be driving her
to the lesson and driving her back home after the lesson . So i will want
you to get back to me with the total charges for the 2hrs in a day 3 days
in a week for good 4 weeks...
YOU WILL HAVE TO EMAIL ME BACK ALL THIS INFORMATION SO THAT I CAN SEND
IT TO THE E.P.A SO THEY I'LL ARRANGE FOR THE PAYMENT ASAP.
(1) TOTAL CHARGES FOR THE LESSON:
(2) YOUR FULL NAME TO BE ON THE CHECK:
(3) YOUR LIVING ADDRESS TO SEND THE CHECK TO:
(4) YOUR ZIP CODE:
(5) YOUR CELL PHONE NUMBER FOR EASY COMMUNICATION:

I will be waiting to hear from you shortly
Mr David john
here is my living address
Ryhall Rd, Stamford, PE9 1UA
United Kingdom


Here's a link I found regarding another wording of this same email:
http://groups.google.com/group/rec.arts.dance/browse_thread/thread/8d56f223c3b70976?pli=1

Naturally it was pretty easy to spot the scam what with the poor grammar, odd spacing, and a very fill-in-the-blank look about the message. Not to mention the person's name, "David John" was in no way reflected by the name in the email address, "mikkylemore@aol.com". Granted not everyone uses their name in their email address, but to use a totally different proper name is, to say the least, a little suspect. Things like this can be easy to overlook when sales are down and you're in need of cash. Keep your wits about you and remember what your parents said, "If it sounds too good to be true it probably is".

When in doubt check with ArtScams.com or your fellow Artists. And hey... let's be careful out there.


Cheers,

R

Sunday, October 25, 2009

Love/Hate... or at Least a Vague Dislike

People love Art it's true. The same, however, cannot be said for the Artists. The public seems to have a real love/hate relationship with them. At least, as the title of this post suggests, a vague dislike.

It's easy enough to understand I suppose. People love to look at pictures. It's only natural. Art moves us and engages us. It feeds something inside of almost all of us. It also stands to reason that we would be intrigued by the people who make it. The reality is that most people, when they're pressed to think of artists, think of hipsters, weirdos, or our dear Uncle Bob. Bob Ross, that is: the pleasant, afro-wearing painter of "Happy Little Trees" on Public Television with the somnambulistic voice. Or potentially worse yet they think of their sweet, but slightly crazy aunt who has too many cats and goes on about "The Universe" too much. Pleasant enough at Thangksgiving, but not someone you'd want to spend loads of time with. Gone are the days when the public was presented with the pop culture icons of the middle of the last century. The flamboyant or just plain bizarre characters of the days of the 'Artist as Rock Star' are gone. Some might argue that certain characters in the Art World have risen up to fit the bill. Not one really captures the public's imagination in the same way as an Andy Warhol or a Salvador Dali. You could argue that the torch has been passed perhaps to the ubiquitous Banksy or maybe Matthew Barney (whom I've mentioned before). To be certain there are stars within the Artistic Community that have their fair share of celebrity recognition, but they aren't household names.

Back to the subject though...

Perhaps the dislike for artists comes from the realization that people come across when they finally get to meet the creator of a favorite piece of work. Few things ever live up to their hype. Artists are, after all, just people who feel motivated to create. Most of us aren't much to look at and probably don't stand out in a crowd. I suppose it can be a bit of a disappointment when you find your image of the brilliant artist at work is really just a guy with a couple of kids working out of his basement... possibly with a headcold and maybe a cat. Perhaps our very presence takes away some of the magic. Like learning that the lyrics to a favorite song you've been singing along with all these years are wrong, but on the same token they've developed meaning for you. You feel let down... possibly even a bit foolish.

I personally feel that a good portion of it is due to Artists being cast in an unfavorable light by the very thing that sets them (us) apart: creating Art for a living. Creating Art is, I believe, perceived by many to be something you do for fun. We all had Art class in school. For many it was a nice break from the "regular" classses. You got to get messy. You got to draw or paint. It was more entertaining than the more academic subjects. Kind of like P.E. Fun yes... but a serious career? No. Anyone who'd attempt to do that is probably a layabout looking for an excuse not to get a "real" job. Oddly enough many of those same folks will pay hundreds to go watch a pro sporting event and never think twice about why a person should get paid millions to play a game you played in school as a kid or why you have to pay so much for decent seats. Most of us don't get corporate sponsorship or endorsements. There are NEVER lines for autographs. Not that I think that sort of thing would be enjoyable. I'm just sayin'.

I think that Artists as a group represent a freedom many people wish they had: doing something you love as a career. Most people don't.. or can't. It can be a real sore spot and can lead to resentment of those who do. Again I could point to the pro-athlete. Actors and musicians fall into the same category for that matter. Truth is many, if not the vast majority of, Artists I know have "Joe Jobs". I work as a network engineer/"your company's IT guy" during the day. I know many who teach to make ends meet. Art as single source of income is a dicey, unstable business. It's usually feast or famine. The hours are all over the place and you're at the whim of gallery owners and collectors. All of whom want your work, but many either want a lower price or a bigger commission... or they flat out want you to change your Art to suit their interests or wants. If money is tight you may find yourself more willing to make compromises although I'd recommend against...

Truth be told most Artists don't ever really choose to make Art. We're driven to do it. I know several Artists who struggle with their career choice wishing they could've been gifted in some other, more lucrative arena. A friend recently lamented, "sometimes I wish the thing I NEED to do is be a lawyer or a doctor or something". Many give up and become resigned to a life of office politics and cubeville. Some of us, however, are trying to work our way back out.

I'm not saying, "go out and hug an Artist" or anything. I AM saying that Artists serve an important role for the human race. We pry open the soft shell of our collective subconscious and look inside. We tell you things you may not want to hear about yourself. We point our fingers and laugh at things others stake their lives on. We make you laugh, weep with joy, and turn away in disgust. We hold up a mirror to the World and remind it (and you) of what we wanted it to be. Sometimes you hate us for it. Sometimes that realization can make a change for the better.

Until next time...


Cheers,

R

Friday, October 16, 2009

Cracking the Odometer



Normally I don't put a lot of stock in my own birthdays. Something in me, at this age, says "just another day". Once you have kids your focus in life changes. This year my birthday saw me turn 39. Since people put so much emphasis on turning 40 I figured this year I'd roll the odometer back.

Naturally I can't get younger. No matter how you slice it or how many pacts you attempt to make with the Dark Old Ones you just keep getting older (Cthulhu drives one hell of a hard bargain, btw. Plus he's a total liar). Frankly, at this point in my life I'm actually pretty happy with myself. Having had a personal rediscovery of sorts in the last year. If you've been following along with my ramblings you know that I'm working to redifine my work a bit. I like what I do, but I feel like it needs something more. Something of that spark I had when I was younger. I wasn't afraid to reach into my imagination and pull out all the odds and ends and put them down on paper and canvas. I enjoy doing the work I do. I enjoy creating portraits of city streets and urban settings. I enjoy juxtaposing the figures and exploring their relations to each other. I feel like there's really something that needs to be said there and I'll keep working toward my goals in that vein. I've managed to pick up a fair bit of commissioned work that's due for the holidays. It's all pretty representational stuff and I'm really looking forward to diving into each piece. It's just that lately I've been wanting to get a taste of that imaginative spark. I don't produce much emotive work. If you look at my paintings close-up you can see the emotion and energy in the brushwork and the intense colors, but the subject matter remains pretty neutral. So as an exercise I've been indulging my Id a bit and letting the little pictures that get stuck going round and round in my head out more often. I've got sketchbooks full of them. Some are grotesque (example below)and some are darkly beautiful. I may as time goes by post more.

So I suppose, in essence, I'm not really rolling back the odometer of my years. I'm letting the part of me that wasn't afraid to be off-kilter, or "wrong", or un-PC, or just plain silly back into my studio. Over the years you can get comfortable in a thing. Sometimes it pays to be a little uncomfortable to remind you who you are.

So here's my latest... I'm calling it Rabbit Proof Fence (shown at top). For those of you who've read Richard Adams', "Watership Down" (a personal fav) you'll recognize the character as the Black Rabbit of Inle. The Grim Reaper for rabbits. Don't get it? Read the book. You'll love it. If you check by his feet you'll see my little memento moris. An acknowledgement of his purpose and my own mortality which becomes more apparent with each passing day. I'm OK with that.

Find the spark. Remind yourself who you were and what you liked about that person. See if any of that's relevant to your current state of mind. If it makes sense (even a little bit) let some of it back in.


Cheers,

R

Thursday, October 8, 2009

Square One

October, while it's my favorite month, can be a bit dreary in Iowa. I suppose it's typical for October in a lot of places, but this year Autumn came around like someone flipped a switch on October 1st. One day you have clear, sunny skies and 80-degree temps. The next it's 60 and raining... and the rain continues for the next week or so. For the most part I love it. I love the rain and the smells that come with it. I love the variety of colors we get here in the Midwest. I don't like the fact that it hails the coming of another Iowa Winter. I don't really want to consider what this year will be like. We're already expecting flurries this weekend.

Aside from the cold and damp October brought with it my first foray into teaching. Last night I taught my first-ever drawing class. My experience confirmed that I do, in fact, really enjoy teaching. It remains to be seen whether or not I'm any good at it, but I think the lesson made an impact on the few folks that showed up. I imagined classes would be small to start. Frankly it suits me fine. Having fewer people to begin with gives me a chance to develop my approach towards more individualized treatment of the students. Once I get more comfortable with that then it will be an easy transition to larger groups... If indeed there will be any larger groups. Things like this take time to catch on. This term lasts a couple of months. Just enough time to give me a good idea as to whether it's something I'd like to continue doing and to get the word out.

Last night's class focused on Line: how different kinds of lines can convey different things, the way lines express things like motion, weight, distance, intent and mood. We touched on some other topics like composition and negative space as we progressed. If you're reading this and are not sure what that means and would like to know more... contact me or the Des Moines Social Club... Or just show up for a class. We'll work it out.

I called this post Square One for a reason... which I haven't really touched on yet. Square One is where you go when you go back to the beginning. Drawing is the place I started. I put myself through the same process as I did my students. It was refreshing to teach and go through the exercises I was taught when I started on my Art major in college. We focused on very simple shapes: we drew unadorned, stacked boxes. With a subject so basic you have to put aside things like color and detail and focus on composing and exploring the simple shapes in front of you. Something I think will have a profound impact on my work. Teaching gives you the chance to play the "if only I knew then what I know now" scenario. You get to revisit something I think is vitally important to growth as an Artist. You put yourself out of your comfort zone and take yourself back to school. I know I can wax philosophic, but but it's true. You never really stop learning.

Next time I'll have some pics of our class work so you can get a better idea of where we're going. Would love to see you there!


Cheers,


R

Thursday, October 1, 2009

New Studies of Old Pics

Here are a couple quick shots of some oil pastel studies I did this week.

I enjoy banging things out in small-form like this. Oil pastels have great immediacy and can be smeared around or scraped away much in the same way oil paint can... only it's more finger-friendly.

I was picking through source photos last night after having rediscovered a drawer full of photo prints. I thought I'd lost most of them and it was kind of like Christmas. Mostly I was looking for figures that I'd managed to capture, but I stumbled on this shot of an old electrical plant and wanted to play around with it as well.

I've got some new ideas I'm kicking around that play towards my change in direction. I know these might not look that much different from what I've been doing, but remember... this is just a quick study to get the feel of the image... gimme a break. You'll see what I mean eventually.


Cheers,

R

Go Get Your Sketch Books!

Just a quick note this morning to let you know a little more about the class I'll be teaching at the Des Moines Social Club.

Here's the summary:

Principals of Drawing 1
Facilitator: Robert Reeves
8 sessions, 2x/week: Wednesdays 5:30pm to 7:30pm -&- Saturdays 11am to 1pm,
October 7th – November 28th
Price: $5 per individual class or $30 per month
With a focus on the concepts of Line, Perspective, Gesture, Values, and Proportion,
this class will show students how to draw what they see vs. drawing their ideal of a
given subject. In-class drawing assignments will be limited to simple objects to
begin and moving to more complex objects and figure drawing as sessions continue.

What that means to you is that we'll be starting off very simply. I plan to work on the bare basics of drawing so if you've always wanted to learn... here's your chance. If you already do some drawing, but would like to expand your abilities or spend time improving your techniques this class would be a good fit. I think adults and kids would benefit equally and hope to see some younger attendees at the Saturday morning classes. In fact my kids may attend as well if the babysitter falls through. But be assured the class will be directed and informative AND hopefully a lot of fun.

You can sign up for the whole season or come down for individual classes. Your attendance level is up to you. Once we've made it through a season I may add a more advanced class, but let's see how it picks up before we get too far ahead of ourselves.

Here's the full calendar of classes and events the Social Club will be hosting this season. Some very interesting and unexpected options.
(http://www.desmoinessocialclub.org/calendar/index.asp)

Plus it's right across from the new sculpture garden. Definitely worth visiting. The images in the article are from before the park was completed, but it has some good shots of a number of the featured scultpures (http://www.livingdowntowndesmoines.com/2009/05/pappajohn-sculpture-garden/)

To sign up contact me (Rob@RobReevesStudio.com) or the Des Moines Social Club.

Hope to see you there!


Cheers,

R